Performance as Research Performance comme recherche

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Definition

Performance as Research (PAR) is a scientific approach developed which considers all artistic practice to be, in and of itself, a form of research that results in the production of knowledge (see also ‘Practice as Research’). According to this approach, an artistic performance can constitute a scientific contribution in much the same way as more traditional theoretical forms. PAR is sometimes distinguished from Practice as Research (PaR) through an emphasis on the role of repetition – training, rehearsals, touring – within the production of embodied knowledge.

Cite: “Performance as Research”, Performascope: Interdisciplinary Lexicon of Performance and Research-Creation, Grenoble: Université Grenoble Alpes, 2021, [online]: http://performascope.univ-grenoble-alpes.fr/en/detail/177867

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Created : 2021-06-14.

Last modified : 2022-06-29.

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Perspective

Quotation

Bibliography

« Performance as Research is closely associated, and often conflated with, the terms Practice as Research, Practice based Research and Artistic Research […] In this instance, research and practice exist in a radical positioning: where knowledge formed through the material process of performance can be valued as equivalent to knowledge produced through speculative and analytical modes. »

William W. Lewis, Niki Tulk, « Why Performance as Research? », PARtake: The Journal of Performance as Research, 1, 1, 2016, p.1, [en ligne] : https://partakejournal.org/index.php/partake/issue/view/57 (06/05/21)

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Annette Arlander, Bruce Barton, Melanie Dreyer-Lude, Ben Spatz, Performance as Research. Knowledge, Methods, Impact, Londres : Routledge 2017

Mark Fleishman, « The Difference of Performance as Research », Theatre Research International, 37, 1, 2012, p.1, [en ligne] : http://scholar.colorado.edu/partake/vol1/iss1/1 (01/07/2021)

William W Lewis, Niki Tulk, « Editorial: Why Performance as Research? », PARtake: The Journal of Performance As Research, 1, 1, 2016, [en ligne] : https://partakejournal.org/index.php/partake/article/view/325 (01/07/2021)

Sjannon Rose Riley, Lynette Hunter dirs., Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, Palgrave MacMillan, 2011